Tuesday, March 15, 1977 at 20.40 seconds on the RAI television channel aired the first episode of "Supergulp! Comics on TV." The idea was simple but very innovative: to bring television, color, comics and cartoons by these traits.
An experiment in this direction had already been done in 1972 with the broadcast "Gulp!" Made of black and white by the same authors (Guido De Maria and Giancarlo Governments).
When you spread the notes of the marking head Supergulp to the attention of children in Italy (and the adults with them) from the Alps to the Ionian Sea is catalyzed to the small screen. The success of the transmission, at a time when television offers, however, was largely confined to the RAI, it is impressive, with an approval rating of 83%.
The history of comics, however, had begun long before, and is closely tied to that of printed paper. It was the circulation of newspapers, from the nineteenth century to determine the success of "strips" each day or week.
The most famous of these "pioneers" of the Yellow Kid comic was, the baby dressed in yellow by Richard F. Outcault. Occasionally appeared in the magazine "Truth" between 1894 and 1895, knew the real success when it was published in the Sunday color supplement of the New York World of Joseph Pulitzer. As passed Outcault alla concorrenza, sul supplemento domenicale del New York Journal, misteriosamente Yellow Kid si sdoppiò, continuando ad apparire su entrambe le riviste. Poiché all’epoca il diritto d’autore non era ancora ben definito Pulitzer aveva infatti assoldato un altro disegnatore per lo stesso personaggio.
Anche i cartoni animati vantano una storia antica. Benché immagini in movimento fossero prodotte anche prima dell’invenzione del cinema, il primo esempio di animazione è il filmato “Fantasmagorie” di Émile Cohl (pseudonimo di Émile Courtet) realizzato nel 1908.
Tornando a Supergulp, l’autore della sigla è il milanese Franco Godi, known under the nickname of "Mr. Jingle" as was the author of the music of many commercials and television themes. In the field of cinema has worked with directors such as Gillo Pontecorvo, Renato Olmi, Vittorio De Sica and Gabriele Salvatores.
course, the success of Supergulp was decreed by the stories brought to the small screen. Among the characters are funny characters such as Nick Carter, Alan Lupo Alberto Ford to the group TNT or Sturmtruppen; adventurous or inquisitive of mysteries, like Tintin, the Phantom and Corto Maltese. There also were the superheroes as the Fantastic Four, Thor and Spider-Man.
About the latter, Symbol of the cartoon "Spider-Man" in 1967. The text, which opens with the famous "Spider-Man, Spider-Man, does whatever a spider can," was written by Paul Francis Webster, a composer who won an Academy Award three times and was nominated sixteen times for the same prize. In 2004, Michael Buble has recorded for the soundtrack of the movie Spiderman 2, a successful cover of this song in a jazz style.
An experiment in this direction had already been done in 1972 with the broadcast "Gulp!" Made of black and white by the same authors (Guido De Maria and Giancarlo Governments).
When you spread the notes of the marking head Supergulp to the attention of children in Italy (and the adults with them) from the Alps to the Ionian Sea is catalyzed to the small screen. The success of the transmission, at a time when television offers, however, was largely confined to the RAI, it is impressive, with an approval rating of 83%.
The history of comics, however, had begun long before, and is closely tied to that of printed paper. It was the circulation of newspapers, from the nineteenth century to determine the success of "strips" each day or week.
The most famous of these "pioneers" of the Yellow Kid comic was, the baby dressed in yellow by Richard F. Outcault. Occasionally appeared in the magazine "Truth" between 1894 and 1895, knew the real success when it was published in the Sunday color supplement of the New York World of Joseph Pulitzer. As passed Outcault alla concorrenza, sul supplemento domenicale del New York Journal, misteriosamente Yellow Kid si sdoppiò, continuando ad apparire su entrambe le riviste. Poiché all’epoca il diritto d’autore non era ancora ben definito Pulitzer aveva infatti assoldato un altro disegnatore per lo stesso personaggio.
Anche i cartoni animati vantano una storia antica. Benché immagini in movimento fossero prodotte anche prima dell’invenzione del cinema, il primo esempio di animazione è il filmato “Fantasmagorie” di Émile Cohl (pseudonimo di Émile Courtet) realizzato nel 1908.
Tornando a Supergulp, l’autore della sigla è il milanese Franco Godi, known under the nickname of "Mr. Jingle" as was the author of the music of many commercials and television themes. In the field of cinema has worked with directors such as Gillo Pontecorvo, Renato Olmi, Vittorio De Sica and Gabriele Salvatores.
course, the success of Supergulp was decreed by the stories brought to the small screen. Among the characters are funny characters such as Nick Carter, Alan Lupo Alberto Ford to the group TNT or Sturmtruppen; adventurous or inquisitive of mysteries, like Tintin, the Phantom and Corto Maltese. There also were the superheroes as the Fantastic Four, Thor and Spider-Man.
About the latter, Symbol of the cartoon "Spider-Man" in 1967. The text, which opens with the famous "Spider-Man, Spider-Man, does whatever a spider can," was written by Paul Francis Webster, a composer who won an Academy Award three times and was nominated sixteen times for the same prize. In 2004, Michael Buble has recorded for the soundtrack of the movie Spiderman 2, a successful cover of this song in a jazz style.
Text taken from the shop of mystery We are the Onda 26.02.2011
Michael Buble, "Spider-Man Theme Song".
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